In a brand new episode of Cheat Sheet with Sneha, we delve into the life of an Acting Coach. Atul Mongia joins Sneha Menon Desai to discuss how he trains today's top actors. Dive deep as he decodes the techniques and processes behind the performances of icons like Ranveer Singh, Kirti Sanon, Kiara Advani, Sushmita Sen, Vicky Kaushal, Jhanvi Kapoor, and many others. Join the discussion on the balance between preparation and over-preparation in acting, and reflect on why honesty is of paramount importance in an actor's craft.

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00:00 - Cheat Sheet with Atul Mongia
02:08 - Acting can be learned but not taught
02:41 - Evolving the character with respect to the personality of the actor
04:11 - An Actor influencing their role
05:55 - Preparation vs Over-preparation
07:39 - What does being honest to a character mean?
10:03 - Does being a good person mean you are a good actor?
10:34 - Working with experienced actors
11:23 - Defining a character
12:12 - Coming out of a character
13:41 - Every actor figures out their own process
15:06 - Actors existing in two worlds simultaneously
16:01 - Theory is not going to make you an actor
18:17 - What is Scene Work?
20:31 - Trying out the workshop
20:59 - Breathing exercises
21:20 - Scene Work
27:51 - Feedback and comments on the performance
29:48 - How the workshop and the process feel like

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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.