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This is also a shooting in Hokkaido. It may seem odd, but there is quite a lot of CG. Adding the missing parts of the actual scene, as well as erasing the unnecessary parts. For example, there was really only one silo behind close-up of Ban’s bust. The artwork was meticulous in every detail. The largest enemy this time was the weather. In fact, my No.1 job was not to make a dazzled face from the strong beacon due to the bright sun.