BAX EQ: Audio Demos and Applications

How to Choose the Right Outboard EQ

BAX EQ: How the High & Low Shelves Work

BAX EQ: When to Use the High-Cut Filter

BAX EQ: When to Use the Low-Cut Filter

Dangerous SOURCE Monitor Controller Overview: Listen Boldly, Sacrifice Nothing

Jeff Powell Tells the Story of The World's Most Expensive Record

How to Mix Music Like Luca Pretolesi

Let's Talk Gear—Luca Pretolesi and marek stycos on Music Mixing

Dangerous Music - Commitment

Can an Italian EDM Producer Win a Grammy?

Upgrading to the Dangerous System | Richard Devine NAMM Show Replay

Dangerous CONVERT-AD+ | Dré Bowman and Michael James NAMM Show Replay

Listen Study Absorb | Dré Bowman NAMM Show Replay

The Dangerous System | Cheskob NAMM Show Replay

Sometimes The Bus Hits You | Reid Shippen NAMM Show Replay

The Dangerous System | Richard Devine NAMM Show Replay

Mix Bus Processing | Rob Chiarelli NAMM Show Replay

Dangerous Music CONVERT-AD+ | Dré Bowman NAMM Show Replay

Direction or Autonomy? | Rob Kinelski NAMM Show Replay

BAX EQ High and Low Shelves

BAX EQ High Cut Low Pass Analog Filter

BAX EQ Low Cut Filter | Dangerous Music Short

How to place the Chicago Symphony in your living room with maximum realism? 🤔

MONITOR-ST Source Switching with CONVERT-2 | Dangerous Music

Leveraging COMPRESSOR's External Sidechain | Dangerous Music Short

Analog Summing Shorts #3 | Dangerous Music

Pushing Dangerous Music COMPRESSOR to the Limit

Dangerous Music 2-BUS-XT Summing Mixer Color Circuits | Michael James

AES SPDIF Digital Input | Dangerous D-BOX+ Video Manual