'Furiosa: A Max Max Saga' is a Mythical Epic | Movie Review

'I Saw The TV Glow' Is Devastating | Movie Review

'Kingdom of the Planet of the Apes' is a Frustrating Spectacle | Movie Review

'The Fall Guy' Is Amazing Fun | Movie Review

The 2024 Filmcast Summer Movie Wager

'Rebel Moon: Part Two’ Is A Waste of Time | Movie Review

Alex Garland’s ‘Civil War’ Is Intense | Movie Review

'Monkey Man' Is An Impressive Directing Debut | Movie Review

'Godzilla x Kong: The New Empire' Is a Missed Opportunity | Movie Review

'Roadhouse' Doesn't Land Its Punch | Movie Review

'Love Lies Bleeding is Bold and Grimy' | Movie Review ft. BJ Colangelo

'The Promised Land' Is Transportive Filmmaking | Movie Review

Dune: Part Two Is Spectacular | Movie Review ft. Vincenzo Natali

'Drive-Away Dolls' Is a Delight | Movie Review

'Madame Webb' Is a Disaster | Movie Review

'Lisa Frankenstein' Is A True 80s Throwback | Movie Review

'Argylle' Is a Mess - Movie Review

'Society of the Snow' is Fearless Filmmaking | Movie Review

'Ferrari' Is a Return to Form for Michael Mann | Movie Review

'The Beekeeper' Is So Bad (It's Good) | Movie Review

The Filmcast Top 10 Films of 2023

'Rebel Moon: Part One' Is a Bad Star Wars Clone | Movie Review

'Aquaman and The Lost Kindom' Flails | Movie Review

'Godzilla Minus One' Is Japanese Blockbuster FIlmmaking Unleashed | Movie Review

'The Boy and the Heron' Is a Beautiful Dream | Movie Review

'May December' Is an Acting Showcase | Movie Review

'Napoleon' Misfires | Movie Review

'The Killer' Is a Return To Form for David Fincher | Movie Review

'The Marvels' Is an Enjoyable Romp | Movie Review

'Priscilla' Gets the Details Right | Movie Review